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Well, you are absolutely right. It’s extremely difficult to pick 3 films of mine. But yes, I really enjoyed working in Buddhadeb Dasgupta’s ‘Mondo Meyer Upakhyan’ (2002) only because he thought I could play the character. Most directors usually associate me with very urban characters. But he gave me this role which in itself surprised. The auteur finds himself at the centre of an unwanted controversy over his latest Swarna Kamal winner, Mondo Meyer Upakhyan (The Tale of a Naughty Girl), which deals with the lives and struggles of sex workers trying to find a place in a society that does not accept them. Made last year and released this August 15, it's running well in three.
From Wikipedia, the free encyclopedia
Mondo Meyer Upakhyan | |
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The French language film poster of the film | |
Directed by | Buddhadev Dasgupta |
Produced by | Buddhadev Dasgupta |
Written by | Buddhadev Dasgupta, Prafulla Roy (short story) |
Starring | Rituparna Sengupta |
Release date(s) | 2002 |
Running time | 90 minutes |
Country | India |
Language | Bengali |
Mondo Meyer Upakhyan ( Bengali: মন্দ মেয়ের উপখ্যান,English language:A Tale of a Naughty Girl, released in the French language as Chroniques Indiennes) is a 2002IndianBengalifilm directed and written by Buddhadev Dasgupta and starring Rituparna Sengupta. The film won National Film Award for Best Film in 2003.
Contents |
Plot
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Based on a short story by Bengali writer Prafulla Roy, the central idea developed by director Dasgupta, tells the story of a girl, Lati(Samata Das), whose mother Rajani(Rituparna Sengupta) is a prostitute living and working in a brothel in rural India. Rajani plans to offer her daughter to an older man, a rich husband and protector to her daughter. Lati, however, wants to return to school and finish her studies. Unwilling to pay such a price for material success, she runs away to Calcutta. The discovery of this new world is described parallel to other stories of emancipation, such as that of three young prostitutes, of an aged couple going nowhere and man's n landing on the moon. In a surrealistic approach typical of the director, a clumsy cat and an intelligent donkey are also present in the film. Ganesh (Tapas Pal) works full-time as a driver for wealthy Bengali-speaking, Natabar Paladhi (Ram Gopal Bajaj ), who lives in a mansion along with his wife, children and grandchildren, and runs 'Anjali Cinema' as well as has Ganesh use his vehicle as a private taxi-cab. Amongst Ganesh's customers are a woman named Bakul (June Malia), who alights near a town of Gosaipara to take up prostitution with Jamunabai; an abandoned elderly couple who are in need of hospitalization - but there is none in the vicinity, and they end up secretly riding with Ganesh all the time; while Natabar uses this vehicle to also travel to Gosaipara to visit a prostitute named Rajani and negotiate with her so that he can have her 14 year old daughter, Lati, as his mistress. Things get complicated when Lati rebels against her mother so she can return to school, and a prostitute is about to get killed by her vengeful husband.
Cast
- Rituparna Sengupta as Rajani
- Samata Das as Lati
- Tapas Pal as Ganesh
- Arpan Basar ... Shibu
- Ram Gopal Bajaj ... Natabar Paladhi
- Pradip Mukherjee ... Nagen
- June Malia ... Bakul
- Sudipta Chakraborty ... Basanti
- Pavan Bandhopadhyay
- Debjani Biswas
- Kajol Chowdhuri
- Ketaki Dutta
- Arjun Guha Thakurta
- Saroj Gupta
- Fakir Das Kumar
- Sreelekha Mitra ...ayesha
- Subrata Mukherjee
- Anup Mukhyopadhyay
Crew
- DirectedBuddhadev Dasgupta
- ScreenplayBuddhadev Dasgupta
- Produced Arya Bhattacharjee
- MusicBuddhadev Dasgupta
- CinematographyVenu
- Film Editing Raviranjan Maitra
- Art Direction Kousik Sarkar
Promotion
Directors like Dasgupta (and others of his ilk like Adoor Gopalakrishnan or Mrinal Sen) make movies that are very specific to their own cultural milieu. A great master like the late Satyajit Ray was never comfortable when he stepped outside his native Bengal with his camera. So too Dasgupta. His latest work, Mondo Meyer Upakhyan (A Tale of a Naughty Girl), is set in his favourite Purulia, a backward region in West Bengal. Beyond these main travails of Lati, Dasgupta presents a gripping account of village life. On Dasgupta's canvas, one witnesses life in all its splendour. A Tale of a Naughty Girl is undoubtedly a piece of celluloid that elevates cinema to another realm. It is extremely positive, and probably comes from a deep sense of peace and tranquillity that Dasgupta must have achieved from his poetic inclination.[1]
Released
![Mondo meyer upakhyan full movie youtube downloader Mondo meyer upakhyan full movie youtube downloader](/uploads/1/1/9/3/119370714/256699809.jpg)
Country | Date | Fesivals |
Canada | 7 September 2002 | (Toronto Film Festival) |
Brazil | 25 October 2002 | (Mostra BR de São Paulo) |
South Korea | 18 November 2002 | (Pusan International Film Festival) |
USA | 14 January 2003 | (Palm Springs International Film Festival) |
Denmark | 31 March 2003 | (NatFilm Festival) |
USA | 04 April 2003 | (Philadelphia International Film Festival) |
France | 17-May-03 | (Cannes Film Festival) |
UK | 15-Jun-03 | (Commonwealth Film Festival) |
Russia | 26-Jun-03 | (Moscow Film Festival) |
Czech Republic | 09-Jul-03 | (Karlovy Vary Film Festival) |
Australia | 18 September 2003 | |
USA | 22-Oct-04 | (Milwaukee International Film Festival) |
France | 17-Nov-04 | |
Poland | 24-Jul-05 | (Era New Horizons Film Festival) |
Awards
Mondo Meyer Upakhyan Full Movie Youtube Full
- Anandalok Awards (2003) Best Director Buddhadeb Dasgupta[2]
- Best ASEAN Film Award (2003) Buddhadev Dasgupta
- Golden Lotus Award (2003) Best Film Arya Bhattacharya (producer) Buddhadev Dasgupta (director)[3]
References
- ^'The Hindu : Work of rare depth'. www.hinduonnet.com. http://www.hinduonnet.com/thehindu/fr/2002/05/10/stories/2002051000640400.htm. Retrieved 2008-10-29.
- ^'Mando Meyer Upakshan(2003) Movie Awards'. www.gomolo.in. http://www.gomolo.in/Movie/MovieAwards.aspx?mid=15264. Retrieved 2008-10-29.
- ^'Mondo Meyer Upakhyan (2002) - Awards'. www.imdb.com. http://www.imdb.com/title/tt0332699/awards. Retrieved 2008-10-29.
External links
- Mondo Meyer Upakhyan at the Internet Movie Database
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June Maliah is one of the prettiest and most popular actresses hailing from the Bengali entertainment industry. Some of her best works include Teen Yaari Katha, Shikar, Nil Nirjane, Ebar Shabor, Har Har Byomkesh, The Bong Connection 7 many more. IWMBuzz exclusively spoke to June on her journey, her journey, favorite movies, lockdown time, striking differences between Tollywood and Bollywood, and a lot more. Read to find out
Mondo Meyer Upakhyan Full Movie Youtube Free
You are one of the most popular and looked upon female faces in the Bengali industry for a long time. What do you think is the biggest reason why this image has lived with you for so long?
Well, I have been lucky. It’s been 23 years that I have been associated with the Bengali Film and TV industry. I have been lucky to get a lot of love. Even today, when I get messages or I meet people, I am always told that everything is still the same. It’s important to not get success in one’s head. It’s a tough world. It’s very important for an actor to have another hobby or something. While at times your hands will be full and you will be busy, there will also be times when you will be absolutely jobless. So having a positive mindset is important. In my case, I am very active wi th social work and some of my other interests also include cooking. I love it.
Given the kind of career you have had, it’s truly difficult to pick top 3 of your movies or shows. But if you had to pick 3 which are the closest to your heart, what would those be and why?
Well, you are absolutely right. It’s extremely difficult to pick 3 films of mine. But yes, I really enjoyed working in Buddhadeb Dasgupta’s ‘Mondo Meyer Upakhyan’ (2002) only because he thought I could play the character. Most directors usually associate me with very urban characters. But he gave me this role which in itself surprised me a lot. I thank him from the bottom of my heart because he thought I could do this. Apart from that, I enjoyed playing Rupamati in Basu Chatterjee’s film ‘Hothat Bristi’ (1998). And out of the recent ones, I loved the character of Doyel Ghosh in Arindam Sil’s Ebar Shabor (2015). Having said that, I choose my projects very seriously and hence they are all very close to my heart.
How has the lockdown period been for you and how did you cope with the challenges so far that came with it?
Well, the period has had its ups and downs but I took it positively. I did a lot of things which I couldn’t do much earlier due to my hectic schedule, stuff like gardening, yoga and cooking. I cooked a lot (Laughs). I love interior designing and hence I also worked in my husband’s office. I kept myself busy. I also have two adorable dogs named Bruno and Diego. I hate calling them dogs as to me, they are more like my sons. I spent a lot of time with them and my family. So that was what lockdown was all about. Lockdown was a much-needed break for me.
The script or the director, which is more of a priority to you when you select a project?
Well, if I had to choose one, it would be a good script. It is very important. Good script can hardly go wrong. Over the years, I have worked with various directors, some very new whereas some veterans. I enjoyed working with each one of them. In fact, some of the directors I worked with earlier are now very popular and famous. So it’s a bit of both to be honest but script is a major priority.
Lastly, how do you think the Bengali entertainment industry is different from the Hindi entertainment industry and what can both the industries learn from each other?
Well, the Bengali film industry has heart, warmth and the brotherhood is very strong whereas I feel Bollywood as an industry is very superficial, extremely professional, cut-throat competition and it lacks the warmth I feel to an extent. They are very clannish and they are stuck in their own bubble. The Bengali film industry, on the other hand, is a smaller industry but there’s a lot of warmth within the people as colleagues. Apart from their regular work as an actor, they also are involved in a lot of things. So I feel this is something Bollywood should learn from us. And as far as what the Bengali team industry can learn from Bollywood, it’s the professional approach. I have worked in some of the Bollywood projects and I have seen it myself. When it comes to their production work & production design, they are simply impeccable. I think we lack that over here in some places. Some of the production houses here in Tollywood are fantastic too but I guess at times, we do lack that and it is something we can learn from Bollywood.
Also Read: The role of Dustu from Zee Bangla’s Saat Paake Badha changed my life – Oindrila Sen